Moments in Mexico

The air in Mexico City looked gray. It’s possible the sky was just overcast and hazy, but through the window of a taxi, still waking from a red-eye flight, the air itself was visibly gray. Gritty streets, graffiti, and construction dust led to the cleaner, hipsterish Roma neighborhood, where we would stay for the few days that I spent with my daughter, Eleni, before she left for solo travel adventure in Peru.

Home-base was Hotel MX Roma, a small building with welcoming staff…

…eclectic lobby furnishings, and vibrantly painted walls. Our room might not have been all of 200 square feet, but comfortably held a queen-sized bed, TV, breakfast nook, a jury-rigged place to hang clothes, a large, modern shower and gleaming fixtures, for about $60 per night.

Advice from my friend, Shelley, brought us to the neighborhood, and we were quick to follow the rest of her advice: “just eat good food and drink good mezcal!” Research revealed that the well-reviewed mezcaleria called El Palenquito was just a few blocks away. The bustling sidewalks felt safe and comfortable at all hours of the day and night. Other than language differences, we were just as much at ease as in any upscale neighborhood in the U.S. That bears mention here because of recent aspersions cast on Mexico by certain U.S. politicians.

Even the language differences disappeared inside El Palenquito, which played blues music on the speakers hidden in its low, dark, wooden ceiling, and whose English-speaking waitress educated us on the 50 or so mezcals on the menu and explained that the huge phallic symbol rising from the adjacent stone table was a tahona, a device hitched to a horse to aid in crushing agave as part of the mezcal manufacturing process.

Small glasses of Enmascarado 54 and Madrecuixe sent us into the warm night. We wandered to Jardin Pushkin and played with the locals’ dogs and children, all running around loose and fearless in the dark. This was where we saw the first of several kids throughout our visit face-plant into concrete and quickly raise themselves laughing instead of crying as so many American children would.

On our walk, we noted potential future bar and restaurant stops in our neighborhood and settled on the aromatic, frighteningly-open-air-but-crowded-enough-with-locals-to-convince-us Tacos Frontera. It was delicious and turned out to be a safe buffer for our mezcal nightcap, 400 Conejos, at Gin Gin.

The next day, January 6, was Dia de los Reyes (Three Kings Day), a major local holiday that celebrates the Three Wise Men’s visit to the baby Jesus. Throughout the day and night, wherever we went, hundreds of people hustled through the streets carrying large boxes of Rosca de Reyes, a cake in which one slice contains a figurine of the baby Jesus as a traditional prize.

We started our day walking from the heart of Roma to Chapultepec, a park roughly twice the size of New York’s Central Park. First stop was for street soccer.

A couple miles from our hotel, the streets widened to contain cobblestone boulevards beneath cooling canopies of trees and leaves. It was urban beauty that equaled anything I’d seen in Paris and led straight into the park. Its first major feature was the Monumento a los Niños Heroes, recognizing child military cadets who died while defending Chapultepec Castle, the last major resistance to U.S. troops who had invaded Mexico in 1846.

From there, the architecture of the Museum of Modern Art drew us in. The free museum kept us there for an hour, entranced by the interior design and the quality of its collection. One exhibit covered the oppression of women in Mexico, and even beyond that exhibit, themes of oppression, violence and sensory distortion were vivid and pronounced.

Back outside, we aimed for Castillo de Chapultepec. We navigated streets closed to traffic but crowded with tents, booths and their resident hawkers of T-shirts, candy, umbrellas, blankets, dolls, keychains, sunglasses, wrestling masks, etc. The walk uphill to the castle at altitude on our first day in town tired us, so we stopped occasionally for long views of greenery unfolding before us for miles and then multiple tall-towered skylines in the distance.

The cost of the castle tour in pesos and time that we wanted to spend outside chased us. We decided to rent bikes from a roadside kiosk. Suspiciously, the rental agent required us to surrender our passports, but we were feeling bold after surviving Tacos Frontera.

The ride through the Bosque section of the park was especially beautiful. We stopped at various water features and statuary, rode past families pick-nicking on the grass and wound through a military base, all within the confines of Chapultepec.

The bikes were due back by 3. We rested and phoned my former colleague and Mexico City native Raul Escalante, who suggested how to spend the hours before he could meet us at the hotel at 8:30 to give us a night-time driving tour. On Raul’s advice, we Ubered to Palacio de Bellas Artes. Entering the Centro Historico district, traffic slowed to the typical congested pace of New York or Chicago. We felt compelled to explore more widely than deeply, so we spent just a few minutes admiring Bellas Artes.

We walked a mile or so on Av Francisco I. Madero, leading from Bellas Artes to Zocalo, the city’s historical central plaza. First stop was Antiguo Palacio de Iturbide, which Raul had recommended for its interior architecture.

On our way, we saw this sad scene in the middle of the street.

Where the street dead-ends into Zocalo, we saw Catedral Metropolitana de la Ciudad de México, the largest cathedral in North America.

And these flags flapped above the square.

Raul also recommended Salon Corona, a legendary taco joint, which in Chicago terms, is a marriage between Manny’s and the Wiener’s Circle as far as both food quality and crowd energy.

Raul met us that night to cover more ground in his car than we could on foot. He drove us past his haunts in Roma, the neighboring La Condesa district, and then back down to Zocalo. He explained the significance of certain historic buildings in socio-political terms, revealing his proud leftist leanings.

We learned a lot, including the fact that Mexico City is beautiful at night with bustle and lights to match any other large international city. Back at the hotel, Raul helped us negotiate with the desk to arrange for our next day’s tour of Teotihuacan.

The next morning, anticipating a vigorous hike around and up and down the famous pyramids of those pre-Aztec ruins at Teotihuacan, we filled up on breakfast at Belmondo, a hearty bowl of scrambled eggs, beans, tortillas and nopales (cactus leaves). Some mariachi stopped by. After one song, the leader grabbed his cell phone, perhaps to take an order for his next appearance, and I wondered if there was some sort of mariachi dispatch service.

We met our shuttle to Teotihuacan at the hotel and picked up another dozen or so guests at various hotels. The shuttle wound through some now-familiar streets down to Zocalo before heading north through the poorest-looking streets we’d seen yet and then onto a wide highway that passed through miles of industrial ugly followed by more miles of piles of rubble disguised as houses, stacked improbably into hillsides, the brilliant pastels of their exteriors at odds with whatever pains of poverty lurked inside.

About an hour outside Mexico City, we hit the outskirts of the pyramids and rumbled down an unpaved path past cottage-industry shops that had sprung up around the attraction. Rafael, the guide who explained the history and scenery on our bus ride, gave a tutorial in avoiding eye contact with the vendors who would accost us soon after we left the bus.

In the dusty parking lot, a couple of our bus-mates from Los Angeles complained so loudly about having only three hours to explore and about needing “el bano” that Rafael could not finish his speech. He pointed them across the Avenue of the Dead, the main drag through ancient Teotihuacan, and we would never see them again.

Rafael told us about the pyramids mirroring the surrounding mountains and which astronomical phenomena could be experienced atop the pyramids during the vernal equinox. He told us what time to re-convene, to follow the rules on the printed signs, and otherwise have the run of the place, walking and climbing as we saw fit.

As predicted, the vendors descended, but they understood body language well enough. Because we were closer to the Pyramid of the Moon, we chose to climb it first, saving the imposing Pyramid of the Sun for our finale. It is hard to know what sense of spirituality in such a place is real vs. imagined or even implanted by what we read and hear. But I have long felt in tune with beliefs of indigenous people, especially when walking in their footsteps, and I felt that at Teotihuacan.

The steepness of the stones was imposing. My normal workout involves sprinting on steps cut into hillsides, but this would be a slow slog, due to narrow space for footfalls, the creakiness of my knees and the altitude. I kept hold of the wire that ran up the spine of the steps, and I kept my head down for fear of dizziness or disorientation sending me tumbling back down the jagged corners of the stones. Looking down also let me study the stone patterns and narrow my focus to what it might have meant to a guy climbing this structure when it was built in about 100 A.D.

Between heartbeat, breath and where my mind went, that minute of climbing moved me. At the top, I felt elevated, literally, but more importantly, spiritually, by how far I could see and the strange, fleeting impressions of unprecedented shapes, angles and shadows.

I was cautious near the edges of the pyramid, but pushed myself as far as I dared in order to experience the place as fully as possible.

Eleni had stopped to check out some other ruins, so she climbed after me, and we lingered atop the absolutely mystifying Pyramid of the Moon until we remembered there was much more of the Avenue of the Dead to explore.

We still faced the harder climb up the much taller Pyramid of the Sun.

By the time we reached the top of that one, the crowd there and the deadline for the bus soon sent us scrambling back down.

The bus departed Teotihuacan proper and took us to an appointed nearby shop, where we enjoyed an outstanding English-language demonstration of the uses of the maguey plant (juice for fermenting into pulque and mezcal, string, needle and thread, paper, etc.). Then we learned about obsidian, a stone used for tools, weapons and art. For example, looking through a quarter-inch slab of obsidian straight at the late-afternoon sun was almost exactly the same experience as seeing the sun through eclipse glasses.

Inside, I bought an obsidian figurine that spoke to me. Because of the intrigue it holds for me visually, and as a reminder of the spiritual powers I felt at Teotihuacan, I have given it a place of honor as the only object atop my writing desk. The impetus to remove the other clutter testifies to the power of this talisman as a force toward clearer mental and emotional paths to better writing. The life-death motif of the figurine reminds me of the existential importance that writing plays in my life and of the nature of time — the balance of urgency and patience — that fuels my writing now that I am likely midway through my life.

The bus home arrived to a perfect sunset.

We hopped off at the stop nearest Zocalo so we could spend early evening there. Our walk took us past this stunning monument to Benito Juarez.

When we reached Catedral Metropolitana de la Ciudad de México, only Spanish-language tours were available. Eleni decided she would understand well enough, and though Teotihuacan maxed me out spiritually, I could still take in more art and history.

Conventional wisdom is that not much good happens in Zocalo after about 8 p.m., so we caught an Uber back to Roma and enjoyed the outdoor seating at El Palenquito, followed by a nightcap of Bocanegra beer at Soul La Roma, yet another hipster bar, this one marked by the recent vintage motorcycles on display.

We built our last full day in Mexico City around a visit to Frida Kahlo’s childhood home, La Casa Azul. Research for food in that neighborhood led us to Tostadas de Coyoacan, another better-than-fast-food-and-most-fancy-food meal, along the lines of Tacos Frontera and Salon Corona. We sat at a counter with mounds of tostada toppings, maybe 20-30 styles of chicken, beef, pork, shrimp, ceviche, octopus, and cow’s foot (“Tostadas de pata res”), which made both Eleni and me gag.

We had 1:30 tickets for Frida, so we walked off the tostadas in the block-long, block-deep Coyoacan marketplace. It was a compressed version of the carnival-barkers at Chapultepec, but these stalls were crowded on top of each other, two or three times our height, and crammed around narrow aisles, plied by singers and dancers. It was an overwhelm of color, raw and cooked food, textiles, clothes, accessories, toys, and household goods.

In need of sensory relief, we left the marketplace for a trot to Trotsky’s house.

Then we spent about an hour at Casa Azul.

We had planned to visit a nearby bar made famous by frequent visits from Frida and Diego, but we could not find it. We called Raul, who directed us to its unmarked location two doors down from where we’d looked. We decided to meet there, and I had the joy of texting him: “We are seated beneath a bull’s head, watching Man City v Lyon. Heaven.”

Over one Rey Zapoteco and one Siniestro, amid the historic bullfight posters and beneath the bull’s head, we talked politics and watched the waiters dance to mariachi. It was the kind of place you could imagine sitting all day, every day just to stay out of the heat.

Raul walked us through the plaza to his favorite ice cream shop and then drove us through the University neighborhood. We stopped to admire the Olympic stadium.

Then, Raul drove us through crooked, cobbled, narrow streets of San Angel, the quietest neighborhood we visited. As night fell, he led us to a church where one of his relatives had been married and then set us up with his friends at El Carmen Deli for a fancy dinner.

My mezcal came with a side of fried grasshoppers. Eleni’s gin and tonic was a tableside preparation that involved fresh-smoked rosemary infused inside the upside-down glass, plus a few citrus rubs and juniper. Dinner was beef tongue taquitos, fillet, sea bass, garlic mashed potatoes, and asparagus. We went home early, because the next morning, we were expected at 9 at the home of Guillermo “Billy” Grimm, who, after I had interviewed him by phone for a magazine article last year, invited me to visit if ever staying in his city.

Billy is an octogenarian, an extraordinarily accomplished businessman, former government minister, and was a primary mover in the development of Cancun. My article for the St. Thomas Academy alumni magazine covered his time at that school, which had served as a springboard for his success.

We Ubered to his home in Polanco, where his housekeeper, Rosario, and dog, Max, greeted us. We waited in his living room amid beautiful art and furniture, gazing at his garden courtyard. He descended his staircase dressed perfectly in tie, cuffed white shirt, tailored trousers, vest, herringbone jacket, gleaming loafers, and red and blue striped socks to match his tie.

Billy led us back upstairs to see his office and what he jokingly called his “ego wall” filled with about a hundred diplomas, certifications, citations and commemorative photos: Billy with the minister of this and the secretary of that, and most joyously for Billy, Billy with Melina Mercouri, the star of “Never on Sunday.” Among those wall hangings:

Breakfast was some of the freshest fruit I have ever tasted, juice, delicate cheese, chilaquiles and espresso. Between his dress, his taste, his age, his air of distinction, his inquisitiveness about Eleni’s upcoming trip to Peru, the warmth of his conversation and his wisdom, Billy reminded me of my father. It is a compliment to both of them.

Billy drove us aggressively in his Benz to Museo Nacional de Antropología. It’s a world-class museum, also in Chapultepec, that we had skipped in favor of the outdoors during our prior day in the park. Between hugs and long good-byes, Billy recommended we visit the outdoor statue of Tlaloc, the rain god, a 23-foot tall, 300,000-pound monolith that was moved, despite much controversy, from Coatlinchan to its current location, and upon installation in 1964 was blamed for historic rains in Mexico City.

There is much to recommend the museum. We spent four hours there, taking occasional breaks to stretch and relax in the sun-drenched courtyard or to enjoy a light misting from its water fixture.

One display explained the origin of “400 Conejos” as a phrase from the Aztecs that described the effects of alcohol rendering a person’s brain and behavior the equivalent of “400 rabbits.” Armed with that knowledge as we left the museum, we Ubered back to Roma, stopped in at Gin Gin, and ordered “a total of 800 rabbits” to brace us for that night’s flights to our next destinations.

In the cool jazz quiet of Gin Gin, revisiting our favorite memories of those five days in Mexico City, we realized that was not nearly enough time to see all we wanted. In fact, it might have been just enough to convince us to take a return trip.

Highlights of 2018

Inkflow Communications saw so much action in 2018 that the topics of our annual review are best categorized by verbs.

Writing…A script for this Wolfpack Ninjas video featuring Kristy Swanson in a reprise of her role in Ferris Bueller’s Day Off

Plus, creative consulting briefs to support Positive Coaching Alliance’s Character Initiative and articles for St. Thomas Academy’s Saber Magazine, covering everything from chaplains to commandants to philanthropists to mothers’ clubs.

Mentoring…young creative talent in the audience for this WeXL panel discussion

Plus, adult students at The Writing Salon for On Point — a class on short-form persuasive pieces, such as op-eds, blogs and newspaper columns — and middle-school students participating in Citizen Schools’ 6 Degrees of the Bay Area career fair at Oakland’s Greenleaf Elementary School.

Collaborating…on conception and creation of these two videos promoting Fit Kids

Learning…in a training workshop hosted by the Solutions Journalism NetworkVolunteering…as an MC at the Napa Valley Film Festival…and Networking at Summits from Coast-to-Coast.

After such an action-packed 2018, we hope for much the same in 2019 and also for much different.

MC-ing for Napa Valley Film Festival

Since meeting Dania Denise on the set of a local TV news show that was covering our respective stories, we occasionally collaborate as volunteers for the non-profits we each support. For Dania, I manned the journalism post at a career exploration event for Citizen Schools students. Next, Dania and her Think Post Productions partner Rob Carrera joined me for a WeXL panel discussion hosted by the organization’s founder, Arabella DeLucco.

The David/Dania collaboration culminated at the Napa Valley Film Festival, November 7-11, when she brought me in as a Ringmaster (MC) to introduce films from the stage and lead post-screening Q&A sessions. The lessons learned from the filmmakers and the emotional impact of their work were worth the price of five days’ free work.

It’s one thing to privately cry in the dark at a movie, perhaps because the character on-screen is crying. It’s quite another to then watch the actor wipe tears in person in front of hundreds of audience members, asking their post-screening questions.

Actors, directors and producers put so much of themselves on the line — facing emotional vulnerability, financial risk, and threats to a coherent personal identity. They must in order to achieve artistic integrity and keep alive their slim chances for “success.” To be along for that ride, asking questions that can connect creator and consumer, maybe in ways that deepen thought about critical social issues the films explore, is a dream-come-true for a “Ringmaster” who is still just a journalist at heart.

Re-viewing the Festival and Films

The Festival’s screenings sprawl across 10 venues in Napa, Yountville, St. Helena and Calistoga. My little corner of that world was the JaM Cellars Ballroom, upstairs from the Blue Note jazz club in the historic Napa Valley Opera House.

Each day started around 9 a.m. in preparation for a 10 a.m. show and ended about 10 p.m. The rest of the volunteer corps, ranging from teens to retirees, worked in shifts and became a team. Rapport with the projectionist, Dave, and venue managers, Brad and Antonio, were key to a smooth operation.

Day one started with a series of four shorts, marked by the last, Tzeva Adom: Color Red. The eventual winner of the Festival’s Audience Favorites Award for Narrative Short dramatized a relationship between an Israeli Defense Forces soldier and two Palestinian youth injured in a confrontation with her unit. My Q&A with Michael Horwitz, the director, began the week-long trend of asking filmmakers about the social impact they hoped for their films. His answer amounted to a wish for improved dialogue among the stakeholders in that conflict, which four days later flared again as it has for decades.

Next up was A Fatherless Generation by Nathan Cheney, recounting his quest to reunite with his estranged father. Cheney intermingled his personal story with interviews of  famous figures who faced similar challenges, such as George Lopez, and expert commentary on fatherlessness from Dr. Donald Grant, Dean of the School of Human Development at Pacific Oaks College, Executive Director of Mindful Training Solutions, and Director of the Center for Community & Social Impact.

For Q&A, Cheney took the floor with Executive Producer Billy Bush (yes, that Billy Bush), who grabbed my microphone the way Donald Trump grabs…well, nevermind, and conducted his own conversation with the audience.

Our day one finale was When We Grow Up, a family dramedy about inter-racial adoption, marital strife, the emerging independence of “grown” children, and the range of reactions to grief as the family assembles for its dog’s funeral.

During Q&A, Director Zorinah Juan and her all-female crew, including Grace Hannoy (who excelled as Producer/Writer/Actor), articulated the need for diversity in filmmaking. Their statements amplified the case they already had made by taking matters into their own very capable hands and delivering a film that many more people should see.

Day two started with The Dancing Dogs of Dombrova, a comedy fueled by quirky characters. A Jewish brother-sister team attempts to fulfill their bubbie’s wish to retrieve the buried bones of her dog from the anti-Semitic Polish town where she grew up. Days after the Tree of Life synagogue massacre, audience laughter was tinged with cringes, but the Q&A confirmed that a director as able as Zach Bernbaum can meld comedy and tragedy in a way that reminds viewers of humor’s role even in dire circumstances.

Next, Ordinary Days told the story of a missing college student. She may or may not have been abducted, but the plot unfolds in multiple points of view and layered timing, so the audience does not know the student’s fate until the very end. Actress Jacqueline Byers steals the show and stole our Q&A, exhibiting in real-life conversation all the grit her character did and all that is required to succeed at the level she inevitably will.

Spare Room is a heart-rending study of a vet returning from Afghanistan. The film’s portrayal of small-town America and the people who inhabit it is sympathetic without sliding into sentimentality, which was the focus of our Q&A. Any further info shared here would constitute a spoiler. See for yourself.

The evening closed with The Trouble with Wolves, a penetrating, well-balanced, deeply-researched documentary on the re-population of wolves in Yellowstone National Park and its impact on local ranchers. Like most films here, Director Collin Monda’s work raises significant social questions.

That trend persisted into day three, which opened with Ask for Jane, a dramatization of the Jane Collective formed by University of Chicago students to help women obtain abortions in the pre-Roe v. Wade years. Until introducing this film, my introductions held to script other than occasional jokes about the audience balloting process (“It’s a one-to-five scale. Five means you love the film a lot. One means you love it 80 percent less.”)

But sensing the audience energy, I started along these lines: “For a theater to be packed at 10 a.m. on a Friday, I have a feeling that you didn’t all just want to get in out of the ash from the Camp Fire. And I doubt that you all came here to celebrate Volunteer Appreciation Day. I suspect you’re here because all these years later, the issue this film covers is somehow still an issue.”

The film is extraordinary for its spot-on period-piece details from clothing to apartment wall hangings to depictions of the era’s mainstream attitudes toward sexuality and women’s role in society, many voiced by stereotype characters that ring resoundingly true. Again, humor spices the serious material, and again in Q&A, Director Rachel Carey explained humor’s role in helping people cope with even life-threatening situations.

Next came Tomorrow, eventual winner of the Festival’s Jury Award for Best Narrative Feature, about a wheelchair-bound British veteran of Afghanistan who falls in with an interesting group of friends. In Q&A, Director Martha Pinson credited Executive Producer Martin Scorsese with some key guidance. All of the main actors nailed their parts, and Sebastian Street, a day before winning the Audience Award for Favorite Actor, took our stage with tears in his eyes, which almost re-started the tears in my eyes.

So did this view of the 3 p.m. sun through the haze of the wildfire smoke.

Back in the theater, Only Humans told the story of a man cleaning out his deceased mother’s house and the relationships that he develops with the next door neighbors. The Q&A with Director Vanessa Knutsen reflected much of the film’s significant humor, but saying more here would spoil your viewing experience.

And We Are Boats was an enjoyable and stylish drama, tracking the adventures of a dead woman who returns to Earth with a job assignment to intercede in other lives so she can earn a visit with her surviving daughter. James Bird’s film about life and death packed plenty of social commentary punch, plus he mentioned during Q&A that We Are Boats is the first-ever 100% Vegan feature film. No animals were harmed, worn, or eaten during the entire production, including cruelty-free hair products, make up, wardrobe, and catering.

Day four entered laughing, thanks to The Long Dumb Road, a hilarious film about mismatched serendipitous travel partners. Explorations of class differences provide some weight, but Jason Mantzoukas soars with flights of comic genius. Audience members during Q&A likened Jonathan Duffy’s film to such classics of the genre as Midnight Run.

The next film, Ride, also had its humor. How could it not with rap-hero Chris “Ludacris” Bridges in one of the main roles? And it offered kick-ass BMX tricks and aggressively angled shots of the cyclists in action. And Producer/Actor Ali Afshar and his crew packed the theater to SRO with cyclists who pedaled from miles to form the biggest, most diverse and enthusiastic crowd our room hosted all week. “Is there anyone from the BMX community here?” I asked as part of my introduction, and their response left no doubt.

But in contrast to all the upbeat pre-show exuberance, this adaptation of the life story of BMX starJohn Buultjens was the heaviest film I saw, with brutal scenes of domestic violence, incarcerated youth, and sob-inducing displays of Aryan Brotherhood hate, racism and recovery.

Up onto the Q&A stage — along with Ali and about a dozen cast, crew and BMXers — limped Buultjens himself. We discussed the difficulty of him sharing his life story and seeing it interpreted for film. Although the film is set in Northern California, Buultjens is Scots, and I will never forget the moment during Q&A that he shared his first memory, from age three, “When my dad t’rew me into the burning fireplace.”

From the audience, a man I recognized from earlier in the Festival asked Ali how the film could help rally a movement against hate groups and domestic violence. After Ali answered, I said, “To elaborate on the question Dr. Grant asked, keep in mind the need for action on this front. Of the 953 hate groups in the United States tracked by the Southern Poverty Law Center, two states are tied with 66 each — Texas and Florida — but one state has 75 hate groups, and that’s California.”

After the gasps subsided and Ali and John answered all the audience questions, Dr. Grant met me in front of the stage to begin plotting our own course of action.

The last two films of the evening were You Can Choose Your Family with Jim Gaffigan as the father of two families who are secret to each other until they aren’t and Madness, Farewell, about a man and woman thrown together in circumstance brought on by their desires to commit suicide.

Day 5 was Veteran’s Day.

Our first film of the morning, Summer ’03, was a coming of age comedy (with sprinkles of seriousness) about a teen influenced by her grandmother’s dying words. Next came Thunder Road, another serio-comic romp focused on a cop whose life takes some twists stemming from the eulogy he delivers at his mother’s funeral.

Jim Cummings, who directed himself in the one-man short about the eulogy that grew into this feature, is a stunning actor. His rage scenes reminded me of the all-time greats. As I mentioned in Q&A with Producer Natalie Metzger, “This may be heresy, but I was thinking of Jack Nicholson in Five Easy Pieces.” She explained his technique, the detail of his self choreography, and the process in which the set is prepared to roll, sans the roll-camera-and-slate routine, as soon as Cummings hits his mark.

Are You Glad I’m Here portrayed the friendship between a 24-year-old American woman teaching school in Lebanon and her neighbor, who suffers spousal abuse. Impeccable acting and the collaboration between Director Noor Gharzeddine and writer Sam Anderson, winner of the Festival’s award for Best Screenplay, make the film sing. In Q&A, Sam generously shared information on his writing process, and Noor shared the secret sauce of the film’s exquisite casting, crediting her casting director and detailing the rigor she and Sam also brought to vetting the actors.

We closed with the winner of the Special Jury Award for Best Genre Bending, White Tide: The Legend of Culebra. Covering the true story of a treasure hunt for a couple million dollars’ worth of buried cocaine, genres were so bent that one audience member asked Co-Producers Bryan and Amy Storkel whether they were more influenced by Christopher Guest or Quentin Tarantino.

Watching 22 films in five days, so many of such high quality from names I had not known, provided great inspiration to keep working creatively. Talking with these creators also gave me new views into the why and how of authorship in any medium. Most of all, the experience heightened my appreciation for all my collaborators, past, present and future.

Reaching Youth Sports Summits from Coast to Coast

Just outside the Aspen Institute Sports and Society Program’s Project Play Summit last month, I saw a good sign, literally and figuratively. Sitting on an easel, the sign read: “We envision an America in which all children have the opportunity to be active through sports.”

That was a welcome sign for Fit Kids, which I was representing at the event, showing we had arrived at the right place at the right time, even as epidemics of youth obesity and other ills resulting from physical inactivity rage throughout our country. I walked past the sign into a room filled with some 400 other thought leaders in sports, fitness and youth development, who represented teams, leagues, corporations, non-profits, Olympic governing bodies, media outlets, and government agencies.

Tom Farrey, Executive Director of the Sports and Society Program and a frequent collaborator throughout the last dozen or so years of my career, welcomed us and outlined an incredible agenda, with such highlights as:

    • Strategy sessions, including one on “Reintroducing Free Play”
    • Master of Ceremonies and legendary broadcaster Mary Carillo, interviewing first Olympic Champion Jackie Joyner-Kersee and then skateboarder Tony Hawk.

Beyond the obvious star power, it was exciting to learn how all are on the front lines of youth sports and fitness issues. Hearing Kobe explain the challenges of coaching his kid’s middle school basketball team sounded eerily familiar, made us peers for a moment and provided hope for a future in which the rich, powerful and vastly experienced turn their attention to youth sports and fitness. Tony Hawk’s take on how he fit into skateboarding when he did not fit so well elsewhere sent a powerful message to millions of kids left behind by the ever-growing elite youth sports power structure.

The exchanging of ideas, stories and business cards throughout the sessions and into the evening networking event created great potential for Fit Kids to partner and collaborate with like-minded organizations. At the end of the day, all signs pointed to a bright future.

From the heights of the Project Play Summit, I flew to Los Angeles for the LA84 Foundation Summit, convening hundreds more thought leaders in our field. The event surpassed in inspiration its aspirational title: “Athlete Activism & Social Justice: Taking Action for Our Youth.”

Even before the sessions started, attendees could feel the spirit of improving the world through sports by standing in the footsteps of giants. We were given a photo-op atop a replica Olympic podium in front of a sign depicting the iconic moment when Tommie Smith and John Carlos raised fists during the medal ceremony at the 1968 Olympics. We had the choice of holding one of the Olympic torches on display or donning a black glove and emulating the stance of Smith and Carlos.

Again, on the way into the working sessions, I saw signs of like-mindedness, such as an LA84 banner that read: “1 in 4 poor kids are obese. School based sports and structured play is an answer. #PlayForAll”

The on-stage content soared from the start, with opening presentations by LA84 Foundation President and CEO Renata Simril, as well as Master of Ceremonies Sal Masekela, the TV personality and son of the late South African anti-apartheid activist and musician Hugh Masekela. Other highlights, in no particular order, included:

    • “The Legacy of the 1968 Olympic Games and Its Impact Today” with James Blake (former tennis star, who suffered a police brutality incident caught on video in New York City), Tony Dungy and Mike Tirico of Sunday Night Football, and Olympic Medalists Greg Louganis and Ibtihaj Muhammad, who are outspoken on gay and Muslim issues, respectively.
    • “Why I Coach” by Serena Limas, college student, LA84 intern and 2018 recipient of Coaching Corps’ Volunteer Coach of the Year award, who gave her answer in this moving throw-down that melds essay with poetry slam.
    • A panel discussion titled “P.E. is a Social Justice Issue: Working Together to Support Our Youth” with Nichol Whiteman, Executive Director of the Los Angeles Dodgers Foundation, which funds Fit Kids Programs in Los Angeles; Christa Gannon, Founder and Executive Director of Fresh Lifelines for Youth, which helps prevent youth from entering or returning to the juvenile justice system; and leaders of several other organizations.

After the panel, audience members could ask questions. I practically shot out of my chair, and promptly received the roving microphone. To set context for my question, I explained Fit Kids to the crowd, mentioning our work at a dozen L.A. schools, due to funding from the Dodgers Foundation and Los Angeles Lakers Youth Foundation and our collaborations with Positive Coaching Alliance, LA84, and the Saint Sebastian Sports Project.

I then asked any of the panelists to compare, in light of #PlayForAll, the impact of organized youth sports to that of programs like Fit Kids, which offer structured fitness opportunities for every kid, regardless of skill level or interest in sports. The answer, essentially, was “Great question, but we’re getting the signal that we’re out of time.”

A few people approached me afterward, seeking more information about Fit Kids. All of them received our brochure and a promise, since kept, of follow-up emails to explore how our shared paths can lead to better health and fitness for more kids. All signs point to this working out very well.

Tex Winter: A Coach’s Coach

We’ve lost a guru. Tex Winter, the Hall of Fame basketball coach, who assisted Phil Jackson in coaching the Chicago Bulls to six NBA Championships and the Los Angeles Lakers to another four, passed away yesterday at age 96.

Befitting a guru, I learned at Tex’s knee. Positive Coaching Alliance sent me to interview him during the 2007 playoffs. At practice, it was stunning to see the 85-year-old inventor of the Triangle Offense (aka “Triple-Post Offense”) showing  players a quarter of his age how to curl around a pick, hands ready for a pass and a quick catch-and-release shot.

Tex slouched some, but still moved athletically, with swag that seemed at odds with his cargo shorts and slightly-too-high-up-the-calf tube socks. Kobe Bryant listened to him.

Then, after practice, so did I. We met in an office just off the practice court and talked for half an hour or more about basketball, coaching, and the Positive Coaching Alliance ideals of teaching youth life lessons through sports. Here are the highlights:

David: We want to explore commonalities between youth sports and pro sports, especially regarding life lessons. And to understand the perspective you bring, you’ve been coaching something like 55 years?

Tex: Sixty-two years.

David: Sorry I sold you short.

Tex: I think I’ve coached basketball longer than anyone in history. I’m sure I have. Right off the bat, my first feeling is it has to start in the home. These youngsters go into AAU at a very early age, and the kind of influence they come under in that environment, their reaction’s gonna depend an awful lot on what’s happened in their home. They’re gonna run into all types of coaches. A lot of them do an excellent job. Others do a very poor job. Their motivation is often times negative. It’s not what these youngsters should be hearing, including an awful lot of bad language, I might add.

David: Can you talk about a coach who influenced you?

Tex: Well, you’re talking about  62 years ago, when I was a player at the University of Southern California, and I was very definitely influenced by my coach, Sam Barry, who I felt was a very good teacher. He was interested in the lessons of life. I don’t think I ever heard him swear.

David: Tell me about one of the life lessons Sam Barry taught you.

Tex: You could sense the example, keeping a clear mind, keeping a clean mind. I took the lessons from my coaches in high school, junior college and at USC and carried them over into my coaching philosophy, which is considerably different than what I see today in a great deal of coaches, including, unfortunately, some of the most successful coaches. One of my discipline rules was that I didn’t want any bad language. I didn’t want the Lord’s name used in vain…maybe occasionally a ‘damn’ or ‘heck.’ My coaching sessions just didn’t have any swearing, not like today, where sometimes I see examples of nothing but that.

David: How do you think that affects the athletes?

Tex: You take a coach that is a figurehead for them at that early stage in life, and they’re apt to be very much influenced by how the coach presents things, including the lessons of life, and whether or not there’s a lot of swearing and the kind of language we hear today in rap music, for example.

David: Are there life lessons inherent in the game of basketball itself?

Tex: I think very definitely. Hard work. You’re only a success for the moment that you perform a successful task. You participate with a happy warrior attitude, where you’re more concerned with the effort that you make, as opposed to winning or losing. I very seldom talked about winning or losing. It was more the Roger Bannister philosophy of happy warrior. He wrote considerably about that and it was one of the sources I used in my coaching, the happy warrior philosophy. Enjoy the thrill of competition. Do the best that you can do. That’s all that anyone can expect of you. But don’t shortchange yourself. Those are important lessons.

David: Do you discuss issues of character with these guys?

Tex: I do on an individual basis. But I don’t think it’s my place to really set a tone as the far as the team itself is concerned. That’s up to the head coach. It bothers me that I’m not in a position to speak up and be a little stronger on some of the things I see.  Then again, you see players who are concerned a whole lot more about character than some of the others. One of my all-time favorite players is Steve Kerr, tremendous character.

David: You’re most known recently for developing the Triangle Offense. Are there life lessons inherent in that?

Tex: It teaches cooperation, team concept, being a part of a group, and not being individualistic, because it’s an offense that requires ball and player movement. It teaches having trust and depending on your teammates. I see an awful lot of the lessons of life that can be taught in the basketball philosophy that we teach.

David: Despite the complexity of some of the diagrams I’ve seen, I might like to teach that offense to the 12-year-olds I coach.

Tex: That’s where it should be taught. It’s a very basic offense. The principles are ball movement and player movement with a purpose, spacing on the floor, penetration, offensive rebounding and defensive balance on all shots, creating operating room for your teammates, and keeping the defense occupied on and off the ball. I’ve often said it’s a junior high offense.

That was all it took to convince me to install the Triangle for the junior high team I was coaching. After all, I’d just learned the principles from the man who literally wrote the book on “The Triple-Post Offense.” To make sure I coached the Triangle as well as I could, Tex pulled a copy of that book off his shelf and inscribed it to me, and it remains one of my proudest possessions.

Voices We Need to Hear

We need more voices.

That much became clear on February 16, 2018 when Black Panther made its nationwide debut. In the theater with three black friends I met through pick-up basketball and about three hundred other people – many in identity-affirming attire that ranged from traditional African to contemporary Wakandan – their pride was palpable. “Finally, a flick where the superheroes look like us, a film made For Us, By Us.”


Image from Wikimedia Commons

Don’t underestimate Black Panther’s importance either on the basis of who was in front of the camera or who was behind it and as a matter of employment, example and inspiration. Films like Black Panther, and now Crazy Rich Asians, send a message of hope to people from populations that are under-represented in mass media, entertainment and other creative industries: they can and should aspire to share their voices.

And we need more of them. Unless your political leanings include bigotry, you will agree our democracy needs the widest possible diversity of voice. After all, the word “democracy” derives from the Greek “demos” (people) and “kratia” (power, rule). Or, in the words of a real-life Black Panther, “power to the people.”

Lacking a “one person, one vote” style of democracy in America, it’s even more critical to pursue the “one person, one voice” approach. That’s what makes Twitter, however misused, so popular and so powerful.

But an individual’s ability to Tweet is no substitute for proportional, representative voice in traditional mass media –TV, radio, newspapers, film, advertising and other artistic and creative endeavors. Films such as Black Panther and Crazy Rich Asians generate so much buzz because they are anomalous in their inclusiveness and messages of empowerment to people of color. The films’ mere existence lulls much of the public into belief that we now live in a post-racial media world. Meanwhile, under-representation of voice persists in undermining our democracy.

Thus, the importance of WeXL, a fledgling non-profit devoted to:

  • developing diverse creative-industries talent from under-represented populations
  • creating opportunity for those creatives through networking that leads to greater employment, empowerment and share of voice
  • providing authenticity for the clients who hire WeXL actors, directors, producers, artists, performers, and, yes, even writers.

That’s why this writer gives time to WeXL, including participation in the organization’s Mentor Monday series and a presentation September 17 at 7 p.m. in San Francisco’s Google Community Space. Mentorship and encouragement for the young and the restless, those who compose WeXL’s creative community, benefits not just them, but can also  trickle up to benefit others.


At Mentor Monday with Ci’era London

If WeXL sounds overly aspirational, aiming too high for such a new organization, consider the bottom line. Films like Black Panther and Crazy Rich Asians make bank: $1.3 billion in box office sales for the former and $164 million for the latter, making it the highest-grossing romantic comedy of the decade.

WeXL members are not looking for a hand-out or even a hand-up. They are banding together to earn a living doing what they love, to contribute economically and socially, and to find and share their voices with a public that very much needs to hear them.

Eclipsed

The longer I live, the more clearly I hear what the universe is telling me. I listened a few years ago when Kathy Bresler recommended a subscription to the BrainPickings.org e-newsletter, which on July 17, 2017 covered When Things Fall Apart by the Buddhist nun, Pema Chodron. The excerpts in the BrainPickings newsletter made Pema’s book seem a good read for Tina, my supervisor at Positive Coaching Alliance, who was on leave because things fell apart for her when her father faced sudden, serious health challenges.

The day I learned of Pema’s book, I mentioned it during a phone call with my friend, Ann, who lives up in Kennewick, Wash. Ann called it the most important book in her life, key to sustaining her sobriety.

The next day I mentioned the book over lunch with my co-worker, Shelley. She also exclaimed the book’s importance as a basis of her own Buddhism and a force that helped her accept and embrace even the most difficult changes life can bring.

When several influential people in my life all at once try to fill the same gap in my knowledge or experience, I understand that the universe is trying to tell me something. So I listened. I read When Things Fall Apart and gave Tina her own copy when she returned from leave. Less than two weeks later, on August 3, Tina tearfully told me she had to lay me off just a month shy of the 12th anniversary of her hiring me. My last day there would be August 16.

Within minutes of the initial shock, Pema’s message surfaced in my mind. Her lessons about the inevitable, painful change that life brings helped me survive that moment, and because her message had arrived so serendipitously, it seemed ordained that I could accept and embrace this difficult change. I became attached to When Things Fall Apart the way other people attach to their Bible or Koran.

The book’s arrival as largesse, courtesy of the universe, got me thinking how some turns of phrase equate inexplicable good fortune with interstellar events. If something is meant to be, “it’s in the stars.” Right-place-at-the-right-time moments happen because “the planets must be aligned.”

My cosmic musings soon had me hearing the universe tell me to go to Oregon for the solar eclipse. Unemployed and in need of a vision for next career steps, I planned to leave in three days, listen to rivers while sleeping on their beds whenever possible, cross Crater Lake off my bucket list, and witness the eclipse in its path of totality at Madras, Oregon.

I packed my Mazda with camping gear, road snacks, Pema’s book and another that guides my spirituality, Luther Standing Bear’s Land of the Spotted Eagle. Preparing for  what amounted to my version of a Lakota vision quest (which, in Trump times, I knew would involve socially purposeful work), I needed Standing Bear’s consideration of the Great Mystery of nature at the heart of Lakota spirituality and what the wasichu has wrought.

Leaving home the morning of August 19, I spent the first hour of my vision quest seeking NASA-approved eclipse glasses, which 7-Eleven stores were offering for free. Several stores were out of stock. It dawned on me that if my pace to Oregon did not speed up, there would be no need of eclipse glasses, anyway, and chances were that I would find another 7-Eleven along the 550-plus miles to Madras.

I crossed the glassy San Francisco Bay over the San Mateo Bridge, passed glass towers of East Bay towns trying to be cities, rolled over decrepit railroad tracks built in a time when our country had a future, past dust devil dancefloors of fallow farms that fail to feed the fieldhands who work to feed us, only to be demonized and deported back to the violence they feared enough to flee to our violence. At a Safeway in Redding, where I bought water, almonds, peanut butter and beef jerky, the parking lot was full of tweakers. But those frustrating Americanisms were somewhat soothed by a burger and a beer and the sight of Calatrava’s famous Sundial Bridge.

Then came the natural scenery of the Lake Shasta area, Castle Crags and Black Butte and other majestic-but-less-famous-than-Mount-Shasta formations. Depending on the highway curve, they resembled the new problems in my life, looming deceptively large from a distance and seeming to shrink to less imposing heights up close.

Snow-covered Mount Shasta offered no such illusions. It is just one giant mountain.

The next natural feature of note after the split off on Highway 97 and crossing the Oregon border was Upper Klamath Lake. Forest fire smoke gave an unnatural orange to the setting sun, and from one angle, Aspen Butte slashed diagonally across the orb, so it looked like a quarter-eaten pumpkin pie.

Near dark, I decided to camp at Jackson Kimball State Forest, pitching my tent by the light of my cell phone clenched between my teeth. Coyotes howled most of the night in a surprising variety of voices, some so distinct – real, dreamed or imagined through on-again-off-again sleep – that I picked out the sounds of several individuals. They became distant pets in the night, playing a rhythm-and-echo game with a herd of terrorized cattle bellowing in the distance.

I hit the road at ten for Crater Lake. Hiking the Rim Trail reveals one of those rare views that match its hype. Crater Lake is a blue you can’t see anywhere else.

About 90 minutes later, wildfire smoke almost completely obscured the lake.

The park offers a lot of other scenery along a loop drive, including Vidae Falls.

Out the southern edge of the park, Highway 62 rolled to the Rogue River National Forest, where I pitched my tent at Natural Bridge. This would be my first night of this trip to listen to a river and perhaps receive a vision. That seemed to call for some form of purification ritual analogous to the Lakota inipi.

While pale in comparison to what a traditional vision seeker endures, my wood-gathering turned into a self-imposed, quixotic, ascetic challenge to carry as much as possible as far as possible in the sun-setting heat. However brave I felt four days after being cast out from my professional home, that wood-gathering was a needed emotional purge. Then, in the cool dusk and overnight, the river whispered especially sweet secrets.

And in the morning, less than a mile’s hike away, the Rogue roared. It reminded me of Lower Falls in Yellowstone – not as tall and majestic, but just as effective in eliciting involuntary ego loss.

The river’s whisper and its roar both echoed inside me. Otherwise, I felt empty. Back in the car, creative and artistic visions took shape. I drove blissfully to Bend, where the universe delivered me those 7-Eleven eclipse glasses. I’d only snacked since that burger two days before in Redding, so lunch was a steak sandwich splurge at Deschutes Brewing.

Friends had recommended Bend for its natural beauty and recreation opportunities, but lingering there would keep me from finding a campground close enough to Madras to get there in time for the next morning’s eclipse, given the apocalyptic traffic predictions. First choice, Tumalo State Park, was packed. A ranger said she’d just called Prineville, and they had plenty of space, but none by the time I got there. Jasper Point also had no vacancies. I asked the campground hostess what she would do in my shoes, as I did not want to violate any laws sleeping roadside in my car.

“Can you do without electricity?”

“Sure.”

“OK, well, you see that stop sign, about 50 yards outside the gate? You take a right, onto that unpaved road. Anywhere you see a pullout is a campsite. They’re free, because they’re undeveloped, just a pit toilet. I’m so sorry, but that’s the best I can do.”

The jagged rocky road threatened my tires, which were overdue for replacement, so I took the first turnout. Beyond the parking area, and that pit toilet (which, on my third night on the road, was the cleanest I’d had yet), a grassy hill sloped down to the reservoir. It lapped at the shore during a mellow sunset and all through my sleep and when I awoke at sunrise.

In Prineville, I stopped at the first place that sold coffee, figuring it was not the kind of town to offer much selection. The coffee was bitter and burnt. Leaving out the other end of town took me right past a Starbucks, but I did not want to pay for more coffee. Instead I paid penance for my metropolitan bias, which assumed that Prineville could not offer quality coffee. Newly sensitive to my narrow views, rolling down the road to Madras past rural poverty and dead soldier tributes, it was easier to see how people in so-called “fly-over country” would vote differently.

The hysterical traffic forecast never materialized. A few pockets slowed over the last five miles. Many cars randomly pulled over for eclipse viewing from the shoulder, and some paid sites had their fields covered with rows of RVs. By eight, I was parked in downtown Madras, sipping delicious coffee at a picnic table in a food truck court near Sahalee Park, and testing angles toward the sun with my cell phone camera on a tripod.

I tried tricks I’d heard, such as draping eclipse glasses over the camera lens, but no cell phone photo can do an eclipse justice. That’s OK. Relying on mind’s-eye photos can make an experience more memorable.

The sky slowly darkened. The air cooled. People murmured and shouted as totality neared. Then, for about two minutes, all that remained of the sun was a brilliant blazing liquid-chrome rim the color of the Silver Surfer. Two days after seeing the nowhere-but-here blue of Crater Lake, I saw the nowhere-but-here-and-never-but-now shine of a disappeared sun.

Later on when the crowd thinned out I wandered the streets looking at souvenirs. I left around noon so I could make it to Ann’s house in Kennewick on time for the dinner we’d planned. It took an hour to get out of Madras and another hour before traffic loosened enough to really move.

Around three, a tire blew out. From the shoulder, with cars speeding dangerously close, and no experience changing tires, I called Mazda roadside assistance. I was so far from anywhere identifiable that, even with Mazda using its GPS, they asked for descriptions of physical aspects of the landscape to help figure out where to send help. They said they would have to call back.

While waiting, I re-read parts of When Things Fall Apart to remind me how to embrace this unwelcome change. Minutes later an official highway rescue tow-truck pulled up and two real men put my spare on in about 10 minutes. As they did, Mazda called back and said it would cost some hundreds of dollars and at least three hours because of my remote location, and by the way, didn’t I know that the roads were crowded because of people wanting to see the eclipse earlier that day?

The tow-truck crew thought the spare could make it to Kennewick if I kept my speed under fifty. That meant I would not reach Hermiston for tire replacement before closing time, so I should pull over and check the heat of the spare compared to the other tires, because if the spare blew I’d be stuck in the countryside until I could get a tow. I offered them $20 for  beer in a coded attempt to regain a sense of masculinity, but they refused it.

Less than thirty minutes later, I was in a seven-mile back-up in Wasco, waiting an hour-and-a-half to turn from highway 97 to highway 84. But (I summoned Pema), what beautiful rock formations out my windows! Such intricate Mighty Favog faces and patterns you’d see as a child when you had nothing but time! What a blessing to recall the eclipse image—“best album cover ever!”

Other than fear of tire troubles, I loved 84, which skirts the Columbia River with its barges, its John Day Dam, its barren hillsides, and its spectacular swallowing of the setting sun in my rearview mirror as I hit Hermiston. The spare was warm, but I decided, in all my vast automotive expertise, that it would be OK.

During another 90-minute delay in a two-mile backup to get onto 82, my rearview showed a drunk staggering up behind me holding a wrinkled bag of booze. He wandered past  again, coming from the other direction a half hour later, holding a new bag, and it was another 15 minutes before I saw the liquor store.

Once through that back-up, the homestretch to Ann’s house was a grooved road over the bridge and onto the interstate. I encouraged my tires out loud that they could make it. They did! And only five hours late for dinner! Ann and her husband, Jim, and I spoke deeply that night and over the next two days. Some of the topics were personal and painful, born of the trying experiences that had led us to Pema.

The eclipse experience remained vibrant, too. Folks standing in line with me at Discount Tire started talking about it. The guy in front of me showed me a photo on his phone that matched my memory but far exceeded the quality of anything I could shoot on my phone.

“How did you get that on your phone?” I asked.

“I transferred it from my $20,000 camera.”

After two days of rest and real food and clean sheets at Ann’s place, I took off for Portland, completely relaxed and able to enjoy the piney scenery of the Columbia River Gorge, near the town of Hood River. I stopped to see Horsetail Falls.

I had to make that quick to be on time for my visit with Pastor Craig Brown, whom I had not seen since our playground basketball days in high school. We caught up for a couple hours sitting in the sanctuary he was rebuilding in his historic church, and I heard every war story he was willing to share from the streets of Milwaukee to his tours as an Army infantry sergeant in Iraq. We had taken much different paths to the peace we felt that day.

That night I slept on a river bed about 40 miles outside Portland at the Gales Creek Campground in Tillamook State Forest.

In the morning, I aimed for Silver Falls State Park, about a two-hour drive, and decided to try the Trail of 10 Falls.

It was one of the most spectacular hikes of my life, winding past, behind, and under the 10 waterfalls that provide the trail’s name.

Between waterfalls, the trail meanders along a creek and through dense forests of fern and moss in every shade of green you can imagine and some you can’t.

The beauty at every step helped ease the pain that accumulated from all those steps. Even without the waterfalls, the hike through such rich and varied greenery would have been worth it. But when you hear that thunderous falling water and wonder what it will look like, and then catch a glimpse where the trail curves, your pain fades, and you keep on until just the right slant of late afternoon light strikes the falling wall of water and rainbow flame licks dance from its edge.

Going around the bend after one of the falls, I saw a woman standing on the trail, writing in her notebook. I stopped, “Are you a poet?” I asked. It started a conversation that probably lasted 10 minutes.

We covered the usual where-you-from and what-brought-you-here, but what had brought us each there was deep. She’d been eclipsed, too, something about a man and then the need to drive from Ohio just to watch the sun — which keeps us all alive — disappear in broad daylight and then re-appear to let us know that even apparent cosmic cataclysm is just an illusion.

We fellow road warriors, wanderers and wonderers were both so raw, so vulnerable and awestruck from recent past days of packed senses and surges of urgency that soon we were both near tears. Even as we each acknowledged our unusual openness while it was unfolding, it still seemed completely natural that we strangers bare souls.

From my backpack, I pulled out Pema for a passage that would remind us both that everything would be OK. Some other tangent, maybe what we’d each observed on our hikes, prompted me to also pull out Standing Bear and flip – more quickly than I expected to be able, as though I’d been practicing – to the page where he shares the Lakota wisdom “He iye ki ya mani yo” (“Recognize everything as you walk.”)

I realized that between my five-day beard, my camp smell, my fatigue, my sensory overwhelm from the waterfalls and the ferns and the eclipse, and now my proselytizing from two strange and off-the-beaten-path books, that she was ready to back-pedal down the trail. I also caught myself experiencing for the first time a faith so full that I could not prevent its overflow. But she’d had enough, so I quieted and wished her well, happy for the mindblow that waited for her in the waterfall around the bend that I’d just come around.

Finishing the trail at seven I was exhausted and in minor pain. Sleep sounded good, but I doubted my luck at finding any more perfect river beds on this trip.

Instead, I loaded up on diner food and coffee and sped 10 hours through the starry night back to the Bay Area, at home on the road, comfortable with being eclipsed in a universe that showed me there are times when things fall together.

Striking Out in the Dominican Republic

In the beginning, I thought of baseball as soon as Val told me we were going to the Dominican Republic, the offshore home of two great American pastimes – baseball and colonialism – that meld in a steamy stew of cultural imperialism.

My wife, Val, works for a software firm that each summer takes its distributed workforce out for a retreat. Celebrating the company’s 10th anniversary, the founder this year hosted employees’ families, too. About 80 of us from the U.S., South America and Europe met at Dreams-Punta Cana, an all-inclusive resort on the Dominican Republic’s east coast.

Where some folks’ fantasies run toward sun and sand, mine turn to bat and ball. I mentally unwrapped a pack of Dominican all-star baseball cards: Pedro Martinez, Vladimir Guerrero, Juan Marichal, Manny Ramirez, David Ortiz, Albert Pujols, Rico Carty, the euphoniously named Julian Javier, and those two tragic figures from my beloved Chicago Cubs, Sammy Sosa and Moises Alou.

I started plotting how to find the heart of Dominican baseball, knowing that the company’s retreat agenda left little time for side-trips, especially when the destination was “I’ll know it when I see it.” It would be the mythic rock-strewn lot full of skinny shoeless boys fielding bad hops with ragged gloves (or none) and rocketing line drives off nailed-together bats, because, as the local saying goes in explaining Dominican players’ aggressiveness at the plate, “You can’t walk your way off the island.”

Weeks before our trip, I location-scouted by phone, first with my friend and former sports-business colleague, Valerin Lopez, a Dominican native raised in New York, who occasionally returned to the island. Then I checked in with my baseball guru Terry Shapiro, whose expertise lies in Colombia, but who knows everyone. I emailed Gene Corr, whom I met on a discussion panel at a screening of his film — “Ghost Town to Havana” — about a baseball coach from inner-city Oakland taking his team to play in Cuba. Gene connected me with Tommy Goodman of the Caribbean Educational and Baseball Foundation. None offered specifics on when and where I might see my vision.

So I just started looking as soon as our flight landed. On the half-hour ride to the resort, the airport shuttle bus windows showed mostly a concrete landscape of strip malls and cell-phone towers. If not for the Spanish on the billboards, we could have been 10 miles outside of any U.S. city.

But the view changed inside the gate that swings open at the front of Dreams-Punta Cana to swallow whole busloads of tourists and in the high-ceilinged lobby of the main building, where fans whir over wicker furniture that invites your already-heat-and-humidity-weary self to rest and wait for the waitress to bring whatever you drink and as much as you want of it or more. From there a wide marble spiral staircase leads down to a disco, a casino, a theatrical stage that hosts a nightly revue of stereotype island entertainment, a gift shop, several restaurants, and a cigar stand.

Outside the building is an amusement area with a video game arcade, pool table, foosball, ping-pong, a climbing wall, an archery range, basketball and tennis courts and a batting cage. Within the one-mile circumference of the perimeter road, another dozen three-story guestroom buildings surround the half-mile long central swimming pool and other amenities, including a massage and hydrotherapy spa, a flamingo pond, lawn patches, foot bridges, a waterfall, and a bar or restaurant about every 50 yards, including that holy grail, the swim-up bar. The whole complex dead-ends into a plush beach and calm turquoise water.

Val and I, along with our “millennial” children, Eleni and Sam, headed out from our suite ready for lunch at the restaurant nearest the beach followed by tossing a baseball around on the sand. Playing catch on our walk to lunch, we started hearing “Beisbol!” from waiters at the other poolside bars and restaurants.

One of them held up his hands in the international “throw-it-here” sign. His return throw showed enough control, break and style that we stopped to exchange tips on grips and other pitching tricks in his broken English and Sam’s broken Spanish. One of my knuckleball experiments landed in a thick hedge. Our new friend, Francisco, waded right in, nevermind his server’s jacket, and found the ball.

It was the first of many humble acts of service from the resort staff, who make Dreams-Punta Cana so special. Later in our stay, I thanked a waiter for the quality of the coffee and asked where to buy two pounds. He did not know, but 10 minutes later brought the ground coffee in bags and said there would be no charge. On my way out, I gave him $20 to cover the cost of the coffee and a tip. His eyes widened like he’d seen a ghost.

I could only imagine his life, presumably poor like most everyone on the island (thus, the baseball players’ commitment to swing their way “off the island”) and feeling forced to meet the whims of, mostly, descendants of the colonialists that created that poverty. Then my white-guilt moment faded into an easy weekend rhythm of eating, drinking, pool lounging, and an occasional run or Frisbee game or baseball catch on the beach followed by an ocean dip and hitting the indoor bars to watch World Cup soccer.

That weekend, Sam told me he’d planned with Francisco to get a few of his colleagues to commandeer a resort shuttle on Tuesday and drive us all to a ballfield in Higuey. It seemed we would have something even better than that baseball moment I’d envisioned, actually playing with the locals.

But first, on Monday, Eleni and I joined about 10 of Val’s co-workers for a kayaking trip in Parque Nacional Los Haitises led by Explora Ecotour. Our shuttle left painfully early in the morning, but I was jolted from self-pity after about 45 minutes at first glimpse of the island’s tragic poverty.

Some highway stretches just showed a blur of misery. Other times, traffic slow-rolled through whole towns of crumbling buildings, missing walls or roofs or both, skeletal elders seated on concrete floors in the hope-sapping heat and humidity, decrepit fume-spitting motorcycles with children perched precariously on handle bars, and cave-chested, rib-bare boys on horseback.

Some towns’ commercial centers consisted of a school surrounded by razor wire, a barber shop, a restaurant, a bar with a sign for “no menores/no armes de fuegos.” The best-dressed wore NBA team t-shirts commemorating championships never-won – the ultimate hand-me-down U.S. cultural detritus — answering the question of what happens to the pre-printed championship t-shirts for the teams that don’t win a game seven and confirming to those wearing the disposable losing-team shirts that the dominant U.S. culture also treats them as disposable losers.

Beyond some of these town centers lay scenic backdrops of forests layered in every shade of green imaginable, sloping toward the ocean that displayed just as many blues. When the road rose you could see both heaven and hell.

The final stretch to the national park was a pitted, unpaved path. Our Explora Ecotour guide, Eloisa, started pointing out features of plant and animal life, including the cattle egret, a bird that lives symbiotically by eating insects off the cattle that the insects otherwise would eat. Eloisa, a biology student from Venezuela (and therefore now practically a refugee), knew her stuff.

She hired local on-water guides at the kayak launch and led our easy paddle on the brackish green river, usually no wider than 20 feet, beneath a mangrove canopy. Several times she directed us to the river banks to let local power boats pass, and she alerted us to sights we could have missed, such as a blue heron picking off the tiny crabs that scuttled up the mangrove root.

Where the river emptied into a bay, our paddle power picked up. Eloisa led us for about a mile across the bay toward a cliff she described as a bite of cheese. The frigatebirds that soared above us with their distinct scissors-tails she called “air pirates” for their practice of stealing prey mid-air from other birds. An armada of pelicans flew past, low and large.

We nestled up to the cheese-bite cliff, felt it, eyed it from all angles to find patterns, forms and faces like you do when looking at clouds. We paddled around some smaller outcroppings of rock and coral for about 15 minutes until it was time to turn back across the bay, working hard in the heat, and then cooling again under the mangrove canopy.

Back up the pitted path in the town of Sabana de la Mar, lunch was fried fish and plantains and rice and beans beneath the thatched roof of Restaurant Jhonson. Wondering about the poverty, I asked Eloisa, probably less delicately than I hoped, how she felt about Explora Ecotour contributing to the economy but also potentially opening the region to further exploitation.

Her calm answer stressed the positive impact of any outside money, even the portion of our fees that bought us lunch. Eloisa detailed the exploitation wrought by Brazilian construction and engineering company Odebrecht SA, whose corruption scandal forced it to abandon a local project, and then she showed us the fallout on a walk of the town’s battered pier, another foreground of want against a beautiful backdrop.

Tuesday morning we trained for the baseball game Sam had planned with Francisco. Sam, Eleni and I visited the batting cage and its gleeful old coach who yelled “hola!” each time he fed a ball into the pitching machine. Carlos, the husband of one of Val’s colleagues, joined us in the cage. A Venezuelan now playing pro baseball in Italy, Carlos proved that he was our best chance against the stuff Francisco showed us on day one outside the restaurant.

At the appointed hour, we waited for Francisco on the wicker chairs at the front of the resort, but he no-showed.  The next day we learned that Francisco’s broken English and Sam’s broken Spanish had left us waiting for Francisco to bring the shuttle while he had spent the whole day at the stadium in Higuey, wondering when we were going to show up on that same shuttle. My baseball dream was dashed.

For our last full day in country, Eleni and I joined a group taking the tour bus to Santo Domingo. Our guide this time was “Nacho,” who sounded like Garrett Morris’ Chico Escuela character and looked like Godfrey Cambridge, circa “Watermelon Man.” Nacho was in his sixties, a retired educator, now earning money and perhaps peace of mind by setting some historical records straight for tourists.

His quasi-minstrel comedy act strained to keep us entertained enough to listen to the not-funny truth. His speech ranged from “fasten your seat belt” to “don’t engage street vendors” to “stay with our group so you don’t miss the bus and pay for a $250 taxi home” to “Christopher Columbus landed in 1492, when the island was home to 600,000 native Tainos, and 13 years later they were all dead.”

Throughout most of the three-hour ride, Nacho bantered with the driver, Enrique, and raised his voice to a feminine tone when joking about the local MamaJuana aphrodisiac elixir of rum, red wine, honey and herbs. Mid-act Nacho started working us for positive reviews and tips.

Unlike the local roads of our kayaking trip, the interstate-type highway kept us more distant from the worst views of poverty. Nacho still made his points about the sugar cane industry growing on the backs of slaves and who held power and land at what point in history, dropping the names of property owners, such as Beyonce, Robert Redford, Liza Minelli, Oscar de la Renta, and Donald Trump.

At our pit stop, Nacho warned us to be back on the bus in 15 American minutes, because 15 Dominican minutes would be more like three weeks. Re-boarding, Nacho counted each of us as we passed him in the aisle and said “Forty-four” as he tapped my shoulder. I said, “Just like Hank Aaron.”

He smiled wide and said, “Ricardo Carty’s old teammate!” When I recited Rico Carty’s .366 batting average that won him the 1970 National League batting title, Nacho said, “I use be berry berry good beisbol.”

His schtick stayed just this side of revealing a minstrel’s self-hate, which could have had me hating him and myself for complicity in his loss of dignity. But he knew when to quit that act. The skies darkened and sprinkled as we neared Santo Domingo. Enrique slowed the bus and Nacho directed attention to the Christopher Columbus Lighthouse, an ambitious and expensive piece of architecture that had drawn disdain for seeming to celebrate the genocide its namesake started.

Our three hours walking along cobblestones in Santo Domingo centered on Columbus: a palace, a museum, whips, chains, cuffs, branding irons, Bibles, canons. Another stop was a 4-D movie complete with slamming theater seats and sea spray to depict the 1586 conquest of the city by Sir Francis Drake. We visited the National Pantheon where an honor guard stands silent and still amid the crypts of national heroes.

Our lunch stop was Buche Perico, a beautiful restaurant with an indoor waterfall that tumbled behind our table and was later drowned out by a bachata dancing demonstration. Nacho ended the formal, educational part of our tour solemnly at the oldest cathedral in the Americas, the Cathedral of Santa María la Menor.

There was a shopping stop afterward. Along with the normal trove of souvenir kitsch, the place sold a great collection of local food, drink and cigars, plus jewelry of the unique native gems, amber and larimar. I was disappointed to find no baseball memorabilia worth buying, not even a Dominican national team t-shirt.

On the way back to Punta Cana, I stared out the window, feeling fatigue from heat and humidity, feeling depression from seeing too much oppression. Learning about history is interesting but not always uplifting. I started dreading the three-hour ride beneath gray skies back through sugar cane country, where Nacho would tell us more horror stories.

But around a bend in the road, outside a nameless town downhill from the highway appeared a patch of dirt and a bunch of boys chasing a ball and others running in the rough shape of a diamond and many more waiting for their chance to swing their way off the island.

Long Shot: Conversation with Craig Hodges

The loudest noise I ever heard rose in a roar toward the top row of the old Chicago Stadium, thanks to a dagger to the heart of the hated Pistons from the hand of Hodge late in game one of the 1991 NBA Eastern Conference Finals. More than a quarter century later, Craig Hodges makes news and noise of even greater importance.

In Long Shot: The Triumphs and Struggles of an NBA Freedom Fighter, Hodge recalls his life of activism — fully woke from the jump — that led to his being blackballed from basketball. Following Hodge’s appearance on a panel discussion at the Socialism2017 conference in Chicago, we sat for this interview, thanks to Long Shot publisher Haymarket Books.


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