Making my film debut as Max the Gangster in The Request was a delightful collaboration with Dania Denise and Rob Carrera of Think Post Productions. Working with them gave great insight into the level of craftsmanship and attention to detail necessary for a quality film, even within the scrappy, bootstrapped indie world.
Rob’s direction matched the best coaching I’ve ever experienced. He provided calm, clear, patient advice that instantly put me at ease even as a rookie actor. I have been on all sides of cameras as a spokesperson and journalist, but acting is a different animal. I have a whole new understanding and respect for what goes into film-making, and I am grateful for the education and experience and what it will add to my future work.
Telling Your Story was the title of the panel discussion in the video below, shot at the inaugural Sports Philanthropy World event in Chicago. More than 100 delegates gained information and inspiration from the panel, including:
Marianna Whitehurst (Board Member for Georgia Playworks, Foundation Board of the Georgia Sports Hall of Fame, and the Chick Fil A Peach Bowl Advisory Board).
You can scroll below the video for highlights of the panel with a guide to timestamps.
In the first two minutes, Nicole explains the importance of story to non-profits as a means of achieving a mission and raising funds: thus the panel’s focus on providing concrete takeaways for our audience to enact.
Three minutes in, Katie addresses how critical it is to define a non-profit’s audience. “You can’t target ‘everyone in the world.’ You can’t make the most impact if you don’t know your target audience.”
At the 10-minute mark, David answers Nicole’s question about storytelling as art and science: “Every person in the organization and every person the organization impacts is potentially a story. If you impact 500 people, you have 500 stories. If you impact a million people, you have a million stories. The science is in having systems in place to get those stories. One thing I advise is to embed a marketing person as a journalist within your organization and charge them with seeking out stories. Create systems that make it as easy as possible for people to share their stories and incentivize them to do so. Use YouTube, email, social media, etc. as an intake for them to invest their hearts and souls into your organization, your brand your mission. That’s the science part. The art part is the journalist understanding what will trip the wires of whichever audience you’re targeting.”
At 12:15, Nicole asks what types of stories are most effective, and David answers: “Emotion. A natural story, focused on an individual person, who is on a journey that is immediately understandable. Anything that is simple, emotional and can be digested into a soundbite that is ready for social media.”
At 12:42, Katie adds “Emotion is incredibly important, but it’s so hard to define, it can be overwhelming. What you think may bring an audience to tears may fall flat. There’s this rule of thumb if you’re creating a story, and in the process you don’t feel anything, then don’t use it. You have to bring out one specific emotion in your audience.”
At 14:30, Marianna explains, “I want to make people identify. If I can’t make them want to feel included, and look at it, and say, ‘You know what, I see myself in that,’ then forget it, we did a bad job. Start over.”
Starting at 15:24, the panel discusses the storytelling tactics of using statistics to generate what Nicole calls the audience’s “Holy Shit moment” in realizing a story’s importance vs. focusing on an individual. Nicole on the “Holy shit” moment with stats.
About 20 minutes in, Nicole asks about a non-profit’s story “not getting lost in the noise” of constant messaging. Katie offers perspective on understanding the target audience rather than focusing just on the number of “likes” and advises to keep in mind that “we are wired to pay attention to bad news, wired to detect a threat.” At 22:04, David hails Solutions Journalism for going against that grain and serving as an outlet for positive storytelling
At 24:43, Katie tells a terrific story about storytelling, using an example of a gala video that raised thousands of dollars, but then fell flat in the organization’s newsletter. The next five minutes covers tactics in collecting and curating content to allow for re-purposing in multiple channels to a variety of audiences, including traditional news media outlets. At 31:52, Marianna suggests highlighting volunteers’ activities to share on LinkedIn to reach the volunteers’ professional networks and generate interest from new audiences.
Much of the remaining discussion is Q&A covering such topics as decisions on using internal vs. external resources for storytelling, how to tackle a story subject’s camera anxiety (even if that subject is you!), and whether/when/how to try to control your brand’s story in balance with the desire for it to go viral.